Prose by Sam Harris, Carmel artist and writer.
8.5×5.5 • 140 pages • $6.65
ISBN 978-1935530848
Creative and Dependable Book Publishing and Writer Services Since 1991
Prose by Sam Harris, Carmel artist and writer.
8.5×5.5 • 140 pages • $6.65
ISBN 978-1935530848
“This child will never walk,” the doctor said. “Wanta bet?” retorted her mother. Fifty-nine years later, Donna Love walked over 5,000 miles in three peace walks in the United States and in Russia. Every step was a step toward peace. In Walking For Our Lives, Donna’s third book in the three years since she turned 80, she tells how these peace walks alerted citizens of the world to the futility of the nuclear arms race. She chronicles her evolution from a passive homemaker to an involved peacemaker, and into a life where anything’s possible and one person does make a difference. Let there be peace…
“Journalist, mother and author, in Walking For Our Lives Love captures a combination of pioneer spirit and American zeal that brings back a time when nothing seemed impossible. I felt right there through the heat, sweat and each turn in the road. This must-read book is a reminder of who we are as American women—true, strong, and tenacious. Love’s compelling story unfolds on the backdrop of an America in the midst of change that continues to this day, a reminder that individuals contributing together can make a difference.” — Marsha L. Keeffer, MBA
“Donna Love, proper society wife and mother, boldly set out to walk 5000 miles across two continents for peace. Participating in the Great Peace March across the United States and the Peace Walk in Russia transformed her life and her perspective. From page one, I was caught up in Donna’s story—watching her change from passive homemaker to passionate peacemaker. This is a story not to be missed!” — Laura Davis, author of The Courage to Heal and I Thought We’d Never Speak Again And let it begin with me.
314 pages • 6×9 • $18.00
ISBN 978-1935530503
The life of Katsuchika Tamura, with letters to his wife, Umeno Tamura, from American Internment Camps, 1941-1946
8.5×11 • 308 pages • $17.96
ISBN 978-1935530336
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8.5 X 5.5 • 134 pages • $9.45
ISBN 978-1935530817
Mark D. Shannon was born in Cambridge, Massachusetts and grew up just north of Boston. Mark’s outer explorations have included back streets since boyhood, when he accompanied his father on business trips and developed an ease within diverse circles. Mark’s inner explorations were nurtured by his mother, an academic with a voice rich in perspectives, who took time not only to teach but to listen to her children. Mark’s present course includes passing on those traditions of good parenting to his son and daughter, now ages eight and five. He has a deep love for creating art, for travel, and especially for his children, who he currently resides with in San Francisco, California.
A boy grows up just outside of Detroit, Michigan. All he wants is to be a boy who plays hockey (a goalie, no less), likes to box (under the influence of Joe Louis and Sugar Ray Robinson), learns to play jazz piano (under the influence of Art Tatum and Nat “King” Cole), and perhaps find a genuine girlfriend—but he is inundated, imposed upon—to his mind—by stories his parents tell of illustrious ancestors, with the implication that he has much to “live up to.” Swamped with tales of ancestors who go back to 17th century New England and Middlesex County, Virginia—Civil War heroes on both sides (Southern and “Yankee”), notable authors who wrote praiseworthy memoirs and hobnobbed with Mark Twain and Walt Whitman—it would take this boy a number of years to “reconcile discordant elements.”
The Inherited Heart: An American Memoir tells the story of that endeavor, directly, up to the age of nineteen, and indirectly—through simultaneous narration or “robbed time”—throughout a lifetime. The book tells the tale of many meaningful, invaluable discoveries made along the way. It’s a “trip,” an adventure, described in the author’s lucid, playful and purposeful prose—a book that will appeal to everyone with a family (which is all of us!), those interested in American history, American humor, boyhood adventures, adolescent agony, or just those who enjoy storytelling at its best. The book suggests that we are each linked, through inheritance, by all that surrounds us, to an extended family we may learn to love.
8.5×5.5 • 432 pages • $12.14
ISBN 978-1935530718
William Minor was originally trained as a visual artist (Pratt Institute and U.C.-Berkeley), and exhibited woodcut prints and paintings at the San Francisco Museum of Art, the Pennsylvania Academy of the Fine Arts, the Honolulu Museum of Art, the Smithsonian Institution, and other museums and galleries. His woodcut prints incorporated the text of Russian, Modern Greek, and Japanese poetry–which he also translated. Attracted by the “multimedia” work of William Blake, e.e. cummings, Kenneth Patchen and Shiko Munakata (and the voice of Dylan Thomas)} he began to write poetry as a graduate student in Language Arts at San Francisco State, producing his first book containing poems and woodcut prints, Pacific Grove, in 1974. Bill has, since that time, published five more books of poetry: For Women Missing or Dead, Goat Pan, Natural Counterpoint (with Paul Oehler), Poet Santa Cruz: Number 4, and Some Grand Dust (Chatoyant Press), for which he was a finalist for the Benjamin Franklin Award. His poetry has appeared in numerous journals and anthologies, as has his short fiction—-which was selected for inclusion in Best Little Magazine Fiction (NYU Press) and The Colorado Quarterly Centennial Edition. A one-act play, Contacts, was performed at Monterey Peninsula College in California, and then published in The Bellingham Review. A jazz writer with over 150 articles to his credit, Bill has also published three books on music: Unzipped Souls: A Jazz Journey Through the Soviet Union (Temple University Press), Monterey Jazz Festival: Forty Legendary Years (Angel City Press; Bill served as scriptwriter for the Warner Bros. film documentary based on the latter, same title as book), and Jazz Journeys to Japan: The Heart Within (University of Michigan Press). A professional musician since the age of sixteen, Bill set poems from For Women Missing or Dead to music and recorded a CD–Bill Minor & Friends (on which he plays piano, tenor guitar, and sings). A second CD, Mortality Suite, offers original poems and music. Bill was also commissioned by the Historic Sandusky Foundation to write a suite of original music and voice script based on a married couple’s exchange of letters throughout the Civil War: Love Letters of Lynchburg. In May, 2011, Bill was “first grand prize winner” in a national essay contest, “What Music Means to Me,” sponsored by RPMDA (Retail print Music Dealers Association). More biographical information and links are available at www.bminor.org.
Customer Reviews
A collection of 81 women’s stories about their love of, and experiences in the Spanish mining town of Alamos, Sonora, Mexico. Learn about local customs, architecture, lodging, restaurants, locals and expats, housing, plants and animals. An excellent resource for anyone considering vacationing in or retiring to Mexico.
10×7 • 164 pages • $13.50
ISBN 978-1483972879
Oscar, a furry, newborn sea otter, discovers that his home is in Monterey Bay, a world of water. He is solely dependent on his mother for food, security, and guidance. When mother goes for food, Oscar is left alone for the first time. Rather than stay put as his mother instructed, he decides to explore the environment on his own. He encounters a variety of sea creatures, from the shy hermit crab to the gentle octopus and the hungry shark. These sea creatures, some nice and some not so nice, are able to encourage Oscar to return home and be content with his mother’s love and direction. Oscar decides that home is a good place to be with his family. And to enjoy life as a sheltered, young sea otter. Appropriate for ages 1 – 7
10×8 • 58 pages • $13.07
ISBN 978-1935530879
Our family settled the Northwest Territory as missionaries shortly after the Lewis and Clark Expedition (1836). We were fed and protected by the Nez Perce Indians. Their respect for nature has remained an important family value. We’ve learned to turn the harsh winters into positive experiences and consequently a greater appreciation of the other seasons. A B.S. degree in Education and graduate work in counseling and guidance provided the foundation for a teaching career. In addition, a major in fine arts, design, and art history started the need to “capture the view.” After thirty years of teaching primary grades and raising a family, I decided to pursue my art career on a fulltime basis. At the present time I have created almost three hundred watercolors and the majority have been sold, donated to charity, and a few given to friends. This is my first venture combining the skills of kindergarten teacher and watercolor painter into a vivid piece of literature. Carol Harrison, 2014.
Customer Reviews
The artwork is fantastic! (By “Amazon fan” on July 12, 2014)
One Woman Show written and performed by Barbara Perry: Five hilarious sequences, five very different but equally dazzling ladies. Everything from strip-tease to Shakespeare—from toe-shoes to tap dancing!
8×5.2 • 68 pages • $9.50
ISBN 978-1877809088
Barbara Perry, about whom it is said, she is the only contemporary performer who can emulate both Ruth Draper and Paul Draper with equal success,” gathered the material for Passionate Ladies during a notably diversified career. Since her auspicious debut as the Baby in Madame Butterfly at the Metropolitan Opera at the age of four, the dancer-actress-writer has enjoyed a career that spans from nightclub to Broadway, from ballet to tap dancing and from coast to coast. On Broadway, Miss Perry has appeared in Hecht and MacArthur’s Swan Song, opposite the legendary Eddie Foy Jr. in Rumple and Burgess Meredith in Happy as Larry. In London, she starred in the famed Café de Paris and the Palladium and in Zip Goes a Million, starring England’s beloved George Formby, which ran for two years at the Palace Theatre. Miss Perry is a recognized television performer who has been seen on many series as well as specials for Dinah Shore, Dean Martin, Frank Sinatra and Johnny Carson, to name a few. She has also appeared in dozens of American national companies and west coast musical productions. Miss Perry is a member of Theater 40, Beverly Hills, Theatre East and Theater West. She won two Los Angeles Drama Critics Circle Awards for writing and performing Passionate Ladies and two Drama-Logue awards and Santa Barbara’s Independent Award for her one-woman show. As a young girl, this extraordinary performer also won the RADA award at the Royal Academy of Dramatic Arts in London.
I remember a car, a red Chevy convertible. Mom said when they got it as a wedding gift, “it was as bright and shiny as a red toy top pulled out of the toe of a Christmas stocking.” They’d had some wonderful times with that car, but now the war was on, Dad was gone, everything was in short supply, especially gasoline and tires. Rationing was in effect, and you couldn’t buy a drop of gas without an “A” card, and even then Mom said you “couldn’t get enough to get around the block.” So, making a game out of it some people called “frogging,” we’d crest a hill cutting the engine coasting as far on the other side as we could.
But when they started rationing re-tread tires Mom figured the “game is just about up, without even re-treads we’ll be riding around on bald tires waiting for a blow out.” She wasn’t joking thinking of her friend Patty on her way to work having a double blowout. Patty’d limped her old Plymouth over to the curb getting out, kicking the dead tires in frustration, sitting down on the curb crying because one of the tires was her spare. She was out two tires without even a re-tread replacement, telling Mom if she’d had a gun she’d have shot her car putting it out of its misery.
So, it was a real surprise Mom taking me for a “joy ride” with the top down on the road next to the beach somewhere between Venice and Santa Monica just before sunset. Felt like we were driving faster than the thirty-five mile victory speed limit, listening to the bald tires rushing over the road with the swooshing sound of sandpaper smoothing a piece of wood. Air whistling in through the wind-wing, sounding like steam screaming out of Granny’s big teakettle. Wind tugging, pulling my hair back, Mom’s Betty Grable hairdo swirling around her head like a spider weaving a web across her face so she kept brushing her hair back with her hand trying to keep it out of her eyes. Turning radio on, Mom singing with Andrews Sisters, “I’ll be with you in Apple Blossom Time.” Me, like a dog sticking its head out the car window, mouth wide open gulping, cheeks wobbling, tongue tasting the salty air like licking the top of my Nabisco cracker before crunching it up putting it in my tomato soup. Salt-wind tears seeping from the corners of my eyes, Mom’s eyes stinging, too, tears running all the way down her face, one dropping from her chin to her lap disappearing among the white polka dots in the fold of her blue dress.
Mom told me to try and remember as much as I could like I was going to mail a penny picture postcard to myself. I think it was on her mind she hadn’t gotten a letter from Dad in a long time, and the last time she got one the censors had read it before she did, blocking out some parts making her wonder what he’d written that she was missing. I think that’s why she took me for that ride in the red Chevy convertible on the beach road that meant so much to them. The moonlight rides they’d taken together before the war. She was driving the car with me sitting beside her, thinking of my dad, scared. The sun turning color from a grapefruit to an orange at the edge of the ocean went down in a splash leaving an orange glow against the sky. Starting to get dark and cold, Mom pulled over to the side of the road, and we spotted the first evening star. Mom said we should make a wish—I think we were wishing the same thing. Putting up the tan canvas top pretending it was a circus tent, the ocean looking like a black rolling blanket with a line of silver curls before the waves crash sounding like a huge newspaper being crumpled up in the hands of a giant.
The next morning, Mom got up slipping into her slacks and Eisenhower jacket taking the car keys off the white rabbit’s foot key chain, hanging the key chain over the door “for good luck.” I asked, but she wasn’t sure why it was supposed to bring good luck, laughing and saying, “I guess it wasn’t good luck for the rabbit.”
6×9 • 262 pages • $17.10
ISBN 978-1935530855
Customer Reviews
In the Tickle Me Pink—THE COLLECTION, the author, a four-time cancer survivor, celebrates the humor, grace, and indomitable spirit of cancer survivors everywhere.
5×8 • 134 pages • $8.96
ISBN 978-1499653441
Customer Reviews
Molly reminds us survivors to savor every post-cancer day we are lucky enough to have. “Light-hearted poems about cancer, survival, and hope,” it says on the hot pink cover of “Tickle Me Pink! The Collection.” That sums up the 127 pages of poems that Molly Shoemaker Schaechtele wrote while dealing with cancer and many of its consequences. The poems aren’t all as rosy as the cover, but they are honest and remarkably upbeat overall. Some of them aren’t award-winning examples of poetry, but it’s the message that matters. The last poem, “Every Death Should Count for Something…” is stunningly sad, profound and, by the conclusion, uplifting. Knowing that the author lost her battle with cancer in 2013 makes her warrior attitude even more impressive. As a breast cancer survivor, I smiled and I cried with Molly as she continued to beat back the beast. I highly recommend “Tickle Me Pink,” to women currently dealing with the disease. We have laughed. We have cried. We have bonded. We can’t forget those women who didn’t make it, but Molly reminds us to savor every post-cancer day of life that we are lucky enough to have. (By Leslie N. Patino on July 27, 2014)
I love you Mom. Molly was my Mom, and now she is my angel Mom… Her poems are so inspiring and give hope and laughter to those in need. It’s her legacy. She wanted to reach the hearts of many woman who could use a little extra encouragement! I love you Mom! Thank you for these amazing poems! (By Maida Springart on Sept. 30, 2014)